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Free Ebook , by That Patchwork Place

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, by That Patchwork Place

, by That Patchwork Place


, by That Patchwork Place


Free Ebook , by That Patchwork Place

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, by That Patchwork Place

Product details

File Size: 93922 KB

Print Length: 112 pages

Publisher: That Patchwork Place (November 1, 2018)

Publication Date: November 1, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07HBDPNNC

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Amazon Best Sellers Rank:

#366,875 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book includes 14 quilts from 14 designers. The designs are mostly pieced but a few also include applique. Flower Power (52" square) by Helen Stubbings is entirely applique and would be wonderful for Valentine's Day since it includes open hearts. One of the quilts includes English Paper Piecing. Three of the quilts have more of a modern appearance. (One looks like hash tags.)I'm more of a traditional quilter and my favorite quilts designs include the following which may help you figure out if this book is for you:- Sweet Dreams by Lisa Alexander which is made from 45 or fight blocks which result in the allusion of rings even though the quilt is made using straight-line sewing. As shown it is a big quilt measuring 78.5" x 96.5".- Ruby Jubilee by Karen Styles is an eight-pointed LeMoyne star quilt (76.5" square) that is lovely but will need quite a bit of quilting expertise to complete since there are so many points that need to be matched...but the outcome is awesome!. Scarlet Song by Kim Diehl (one of my favorite designers) includes Dresden plate blocks, pieced stars and a small amount of applique. The pieced borders are quite interesting and really finish off the 63.5" square quilt.- Tracking Traditions by Debbie Roberts which uses Turkey Track blocks that surround a lightly appliqued center square is very nice and the center motif could be changed out easily for anything else...even a panel that's 17" finished. This quilt is set on point and measures 57.5" x 69.5".The book is easy to read (large enough and dark enough font), The instructions are complete and there include useful diagrams for making the blocks/quilts. Templates for piecing and appliques follow immediately after the quilt pattern. There are no "basic" quilting instructions.If I was offered do-overs, would I buy the book? Yes!

Gorgeous photography and excellent instructions. Not to speak of the jaw dropping-ly beautiful quilts. Can't wait to make them! Thank you!

I adore two color quilts with Red & White being my favorite. Good instructions and beautiful quilts. A couple are gracing beds in my house. Blue & White as well as Cheddar & White look just as beautiful.

What a great book with modern looks to classic 2-color quilts.

I see many quilts I'd love to make.

The quilts are fabulous!

Beautiful book!

Of all the quilting books I’ve read, Red & White Quilts has by far the most ornate piecing. Though there are a few mid-beginner quilts included, most are at least intermediate, tackling techniques that a beginner like myself only dream of trying. You know, when I’m comfortable enough with the basics to want something more challenging (such as applique, curved seams, and paper piecing).As far as I can tell, most of the patterns are not precut friendly, so be prepared to cut templates and yardage (again, not something I’ve spent a lot of time doing at this juncture in my quilting education). However, all of the templates are included, and if transferred to template material, can be reused.Can you tell that I read this book and thought “I’m not ready!” over and over? Because that is absolutely the case. BUT. The included quilts, all designed and pieced by well-known quilters like Camille Roskelley, Sue Daley, and Lissa Alexander, are stunning. The gorgeous, intricate, classic kind of quilts that a beginner aspires to one day sew themselves. Not only is every quilt absolutely dreamy, but the point is quickly and easily proved that the combination of red and white fabric is timeless.Most of these patterns I would not attempt at this point, but I would buy the book anyway, to remind myself of where this hobby can lead me down the road. Besides, who doesn’t love a pretty quilt?Note: I received this book from the publisher via Edelweiss. I pride myself on writing fair and honest reviews.

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Ebook Download , by Catherine D. Hughes

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, by Catherine D. Hughes

, by Catherine D. Hughes


, by Catherine D. Hughes


Ebook Download , by Catherine D. Hughes

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To prove just how this book will influence you to be much better, you can start checking out now. You may also have actually known the author of this book. This is an extremely amazing publication that was created by expert writer. So, you may not feel question of , By Catherine D. Hughes From the title and also the writer additionaled the cover, you will certainly make certain to review it. Even this is an easy book, the material is very necessary. It will not need to make you feel woozy after reading.

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, by Catherine D. Hughes

Product details

File Size: 90432 KB

Print Length: 128 pages

Publisher: National Geographic Children's Books (July 6, 2016)

Publication Date: July 6, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01F27KPHI

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Amazon Best Sellers Rank:

#31,954 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Great book for our 4 year old who is interested in space.

The FIRST TIME I bought this book I noticed many reviews mentioning the poor binding and pages falling out after a relatively short time, but the reviews of the book were very positive. My then 2-1/2 year old took to this book immediately and it ultimately led to a space-fascination (complete with planets hanging from his ceiling, a birthday party at a space museum, multiple trips to the planetarium, etc...). I will say he learned the names of the planets by heart simply by me reading to him and him "reading" it constantly thereafter. While he obviously doesn't read, he quickly learned every planet based on its first letter. He blew people away when after reciting every planet in order, stating which one's were rocky and which were gaseous and continued by reciting all of the "dwarf" planets, as well. He can also identify various nebula's based on their shape. We hobbled along by taping pages back into the book for almost a year as his space-phase seemed to gradually diminish. But sure enough, while going through his drawer his interest in the book was sparked again. This time he is more aware and thoroughly perturbed from the tape now failing and the pages once again falling out. He's almost 4 and as much as it aggravates me out of principal to have to buy it again, I like that it keeps his interest in reading. He even "pretends" to read aloud by reciting what he thinks the words say. I'm thankful in that sense, but it still is not a reason to distribute books with poorly made bindings as this one is - especially from National Geographic (come on, so many people have those old National Geographic books for decades - why wouldn't they use the same process?? lol). In summary - a great book to cultivate a toddlers interest but expect the pages to fall out within a few months of use. Sorry, but part of the review process is to take all aspects of the product into account and this major issue is a big deduct.NOTE: I purchased this item on Amazon for full price. I try to write helpful, unbiased and insightful reviews because I also read reviews prior to making my own buying decisions. I notice many reviews lack helpful information, are not well written or give poor reviews based on not reading directions or failing to read the product details prior to purchasing. Writing valuable reviews helps pay it forward.

Got this for my 6 year old daughter after intoducing her to the tv show the Magic School Bus because she was extremely excited by the idea of space and our solar system. She absolutely LOVES it! We read it twice in the past three days and she can also read about half of it on her own.

As many others have noted this book falls apart completely at the binding. My son has never had a problem with a book like this one.Buy a different book. Very disappointed.

I got this for my 5 year old who is just getting interested in space and he loves it! He found the first chapter a bit boring (viewing stars and planets from Earth, how the Earth’s orbit affects night/day and seasons, etc). But he loved the rest of the book — each planet has 4 pages devoted to it, and there are additional pages on other space objects like dwarf planets, asteroids, comets, nebulas, etc. Most illustrations are realistic drawings, but a few are photos taken by telescopes and probes. For each planet, things like size, terrain/atmosphere, temperature, moons, satellites/probes sent to the planet (up through 2016-2017!), etc are discussed.He was interested in this book enough that we could read nearly all the text without getting bored. (He is not yet reading but listened to me read it all.) For younger kids or kids not as interested in space, you could simply name each planet/object and maybe read a few facts from the text.

My daughter is 2 years and 4 months old and she started showing her interest to nonfiction book since she was 18 months old. She prefers real photographs better than illustrations and this serious of books give her what she likes the best.This Little Kids First Big Book of Birds is a great addition to our collection of "First Big Book" and my daughter enjoys identifying different animals, fish, bugs and birds as she turning the pages.I look forward for the day that she could read those words herself!

My 5 year old son is totally infatuated with space. He wants his 6th birthday to be a space adventure where all of his friends and family go to space to celebrate with him (smile). While we can't do that, I have gone on a quest to buy him as many resources about space as possible. This book is very big. It is wonderfully vibrant, with amazing imagery. The write ups are easy enough for him to understand and articulate back to us after he reads them. The book contains a wealth of knowledge about aspects of the solar system I didn't know existed, so it becomes a tool for us to learn together. We use the book as a starting point to search YouTube for videos. It is one of his favorite night time reading books, and he even runs around the house with it showing new and amazing things to anyone who will listen. It is a joy to watch him grow in his knowledge and appreciation for space exploration. If I could give this book 10 stars I would.

Within 10 days of having this book the pages began falling out. Numerous have fallen out since and I can honestly say that we have not been rough handling this book.

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Ebook Free Lost Girls, by Alan Moore

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Lost Girls, by Alan Moore

Lost Girls, by Alan Moore


Lost Girls, by Alan Moore


Ebook Free Lost Girls, by Alan Moore

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Lost Girls, by Alan Moore

About the Author

Alan Moore is widely regarded as the best and most influential writer in the history of comics. His seminal works include Miracleman and Watchmen, for which he won the coveted Hugo Award. Never one to limit himself in form or content, Moore has also published novels, Voice of the Fire and Jerusalem, and an epic poem, The Mirror of Love. Four of his ground-breaking graphic novels—From Hell, Watchmen, V for Vendetta, and The League of Extraordinary Gentlemen—have been adapted to the silver screen. Moore currently resides in Northampton, England.

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Product details

Hardcover: 320 pages

Publisher: Top Shelf Productions; First Edition edition (July 28, 2009)

Language: English

ISBN-10: 1603090444

ISBN-13: 978-1603090445

Product Dimensions:

8.8 x 1.6 x 12 inches

Shipping Weight: 3.9 pounds

Average Customer Review:

3.6 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#671,943 in Books (See Top 100 in Books)

This book means a lot to me if only because of the extreme personal circumstances under which I nearly lost it to the Chinese government and the lengths I went to in order to keep it, and other books they deemed inappropriate. If you add my legal fees to the already steep cover price, it's by far the most expensive book I own. I don't regret it for a moment. The stories it tells are fascinating, and represent a truly imaginative, often disturbing twist on the classic stories of Peter Pan, Alice in Wonderland and The Wizard of Oz. The idea of having three characters experience sexual awakening in different ways and meet each other in their adulthood is truly unique and original. I enjoyed the illustrations that accompanied the story and my enjoyment wasn't mere base pleasure in something "pornographic" (though that's hard to avoid). It was in the way the stories overlap, the way the women change throughout the years, the way their modern stories and the looking glass contrast with their childhood recollections, and the way World War I looms over everything as a malignant spectre. This book now also perfectly represents to me what it means to be free -- free to take classic characters and change them, free to express art through sensuality, and free to read what you want to read without fear of reprisals and without the need to explain yourself to a bunch of Chinese customs inspectors. I grant this book 5 stars for its incredible power to defy the censors and to inspire me to fight for what's right.

This book is probably one of the most provocative things I've ever read! Alan Moore has such a mastery of the form, the way the images betray the words, the words betray the imagery. Such a beautiful look at the origins of prudishness, and the privilege Capitalism affords the rich to ignore society. The artwork is stunning, shifting from fin-de-siecle decadence to Tijuana Bible with the turn of a page. I'm a big fan of Moore's work, and often thought this to be a lark of his, but it's actually quite thematically hefty, with a lot to "say" (however you want to interpret that). This book made me uncomfortable. And I liked how it made me feel uncomfortable. And on top of that it's such a supremely enjoyable read. Really great. Strangely moving. I can't recommend it highly enough.

I am going to say Lost Girls was an oddly wonderful graphic novel. For those who want to call it porn, go right ahead. In my opinion, I think those who call it porn are degrading this book. I think of this more as erotica or a work of art. Yes, there is a ton of sex within the pages of this book and yes, it gets very graphic at times, but I think calling this porn is totally missing the point of the book. If you think this is porn then it sure has a lot going on for a simple sex story. It is actually smart if you read between the lines.I will be honestly I was afraid to read this comic book with all the sex. It has been on my list for a long time though. I love Alan Moore and the things he creates. The weirder the comic, the better I like it I find. Lost Girls had a ring of League of Extraordinary Gentlemen and his Promethean. The biggest reason I wanted to read this book was the fact used the stories of Alice in Wonderland, the Wizard of Oz, Peter Pan. Like the LXG comic books. It is like Promethean in the fact the art changes in each chapter, making it seem like there is several artist when there is only one.The plot of the book is a “what if” type of story. What if Alice, Dorothy, and Wendy meet each other for the first time? Alice is now an elderly woman who serves as the wisdom for the group, Wendy is a middle-aged woman and married to a prudish man, and Dorothy is now a young adult out exploring the world. They are no longer children trapped in fantasy worlds, but women with deeper desires and questions. It is the start of the First World War, they meet in Austria at a hotel where they tell stories of their past while exploring there sexual needs. It is all fun and games until the Archduke Franz Ferdinand and his wife Sophie are shot.I love how Alan Moore a Melinda Gebbie work together on Lost Girls. For Moore, this book is fairly easy to follow, unless you go down the rabbit hole and focus only on the sex. It is interesting how Moore writes women in his stories too. Usually there are very few, but they are usually the strongest compared to the men. Look at Mina form LXG or Silk Spectre from Watchmen for example. Unlike his other books, I did noticed a slight feminist side to Moore's writing, especially towards the end where the women were praising Alice for not having enough men in her life. I do wonder if Moore did this because he was working with his wife.The other thing about this book that surprised me was how it was intellectual. All I kept hearing about was the sex and controversy behind this book. No one bothered to go into the style of the book or how this was not just a story about sex. It rather shows me that the world still shames anything that involves sex or they put it down. Yet, when people like me read this kind stuff, I also see that it is about religious and moral questionings, social class, literature, the arts, history, realism, insanity, and loss of childhood innocence.The other part I liked about this book was how Moore wrote each character form each story using a non-fanatical element to them. In the Alice in Wonderland parts Alice is at a boarding school and her schoolmates have names of flowers. She is sexually harassed by her PE teacher who is is the counterpart of the Queen of Heart and the Red Queen. In the Wizard of Oz parts, Dorothy is at her farm with three farm helpers (similar to the MGM movie). She as an attraction to her Uncle Henry who is also the Wizard and she fears her Aunt Em who is also the Wicked Witch. With the Peter Pan, parts Wendy and her brothers are playing in a park and meet a boy named Peter. She fears a Captain who tries to rape her, but he fails.I just love the artwork in this book too. Melinda Gebbie does a wonderful job with her paints and colors. Some of the pages in this book should be framed and hung somewhere. Sometimes nudity and sex can bother me in a comic book. Mainly when the artist draws it as something dark and shameful to look at, but not with this book. Yes, some of the acts are horrific in real life, but as Monsieur Rougeur says, you have to decide that what is real and that which is fake. If you think like that, this book will not bother you as much.Honestly if you are a fan of Alan Moore and like his dark twisted mind, I highly recommend this book.

Great book. Illustrations are awesome...

Ok, yes, I guess this could technically be listed as an "erotica" novel. But it's so much more. The envisioning of our old favorite fairy tales through the lens of feminine sexuality is very clever. It plays upon the Jungian idea that many fairy tales (little red riding hood, etc) ARE about seuxal awakening. This book works on many, many levels. I could see scholarly essays being written about it in the future.

Wonderful story and artwork. I love the concept of this book, using your most classic children's characters and having them shown in a new light.

First off, this book has been called pornography by some, and I just don't see it that way. I feel it falls more under the heading of erotica.That said it is very well written, and well drawn. The style of the art very much matches the style of writing, and changes slightly depending on the character perspective.As with other Alan Moore books, this one has a constant undercurrent that eventually becomes a larger part of the story. Very much worth the asking price, and certainly a fine read.

A different take on the traditional stories of Alice, Dorothy and Wendy, although the sexual nature of the book is not for the under-aged or those of prudish minds. I really liked some of the major illustrations throughout the story that showed the parallel of the original story and Moore's version. An interesting (and titillating!) read.

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Download PDF Congo: The Epic History of a People, by David Van Reybrouck

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Congo: The Epic History of a People, by David Van Reybrouck

Congo: The Epic History of a People, by David Van Reybrouck


Congo: The Epic History of a People, by David Van Reybrouck


Download PDF Congo: The Epic History of a People, by David Van Reybrouck

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Congo: The Epic History of a People, by David Van Reybrouck

Review

“This is a magnificent account, intimately researched, and relevant for anyone interested in how the recent past may inform our near future… Van Reybrouck’s bibliography alone is worth the cover price. But what distinguishes the book is its clearheadedness.” (New York Times Book Review)“Balancing research with personal testimonies, Van Reybrouck . . . presents a panoramic account of Congo’s turbulent past.” (New York Times Book Review: Paperback Row)“A vivid panorama of one of the most tormented lands in the world… A valuable addition to the rich literature that Congo has inspired.” (Washington Post)“Van Reybrouck’s carefully researched and elegantly written book takes in the reader with compelling portraits of ordinary people that enrich what would otherwise be a fairly conventional historical narrative.” (Foreign Affairs)“A magnificent, epic look at the history of the region… A monumental contribution to the annals of Congo scholarship.” (The Christian Science Monitor)“[A] detailed and well-researched biography, thoroughly rooted in the lived experience of the Congolese… It is clear that the author is not your typical historian dryly publishing his findings, but a literary artist with a pen almost as sharp as Lumumba’s tongue.” (ThinkAfricaPress.com)“... a compelling mixture of literary and oral history that delivers an authentic story of how European colonialism, African resistance, and the endless exploitation of natural resources affected the lives of the Congolese.” (Booklist)“Van Reybrouck’s extensive account reveals the depth and breadth of exploitation, particularly under Belgian colonial rule, and how Congo’s story is one fraught with the toxic cycle of ‘desire, frustration, revenge.’” (Publishers Weekly)“Van Reybrouck makes a good case for the importance of Congo to world history and its ongoing centrality in a time of resurgent economic colonialism, this time on the part of China. (Kirkus Reviews)“a monumental history . . . more exciting than any novel.” (NRC Handelsblad)

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About the Author

David Van Reybrouck is an award-winning author, acclaimed playwright, reporter, and poet who holds a doctorate from Leiden University. He has traveled extensively throughout Africa and has been actively involved in organizing literary workshops for young Congolese writers. He lives in Brussels.

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Product details

Paperback: 656 pages

Publisher: Ecco; Reprint edition (February 17, 2015)

Language: English

ISBN-10: 0062200127

ISBN-13: 978-0062200129

Product Dimensions:

6 x 1.3 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

109 customer reviews

Amazon Best Sellers Rank:

#395,637 in Books (See Top 100 in Books)

I like reading, and was browsing when I found this book. What drew me to it was prior reading of "King Leopold's Ghost", after my High School aged son told me about the atrocities he studied in school.As a follow-up to KLG, for me, this book was HIGHLY informative, filled in huge blocks of curiosity, and opened up new avenues for me to think about. The author does an excellent job of keeping the reader interested, even though there is a lot of 'stuff' being thrown at you, in the way of names, places and points in time. Some of the names which are in different languages can get a little confusing but the book flows well, and one should not get too mired down because of his writing style. Mr. Reybrouck should be commended for the amount of research and notation put into the book.Of particular interest was the coverage given in the book to the subject of China's development and inroads being made in Africa. I wont say too much so as not to spoil the story, but that part of it was very interesting, and I would like to know more, and once reading it you will too.I would dare to wager that there is something in the book for everybody, as the topic is a land where a lot of things have happened, and are happening now, almost hidden from view.I particularly enjoyed reading on my Kindle because of the ability to hover over words to get the definition, and origin.

DAVID VAN REYBROUCK. CONGO: THE EPIC HISTORY OF A PEOPLE.NY: HarperCollins, 2014.David van Reybrouck has created an excellent history of Congo that is intimate, thorough, and accurate.I. INTIMATE HISTORY The many Congolese, whose words from interviews (mostly from 2008) are introduced in the appropriate historical events he is relating, give a great intimacy to the book. The author quite correctly calls this “bottom-up” history.There are fascinating bits of information one doesn’t usually find in general histories of Congo, such as a description of the travels to Europe and back of Butungu, recorded in Boloki, his own language—the only known text by a Congolese from the nineteenth century.The stories of the Congolese who accompanied the foreigners who dominate the pages of colonial histories give new insights into those happenings. For instance, Disasi Makulo was with George Grenfell when he set off with 400 soldiers of the colonial army to “chart and pacify the region.” (76) Martin Kabuya told about his grandfather who served in World War I, in a Belgian-led army fighting Germans in what is today Tanganyika. Albert Kudjabo, prisoner of the Germans during WW I, gave recordings that are of the only soldier from WW I whose voice we know is Congolese.Even events known only from written documents are given an intimate twist. For example, concerning the creation of what became Congo: “No one knew exactly where the borders of Leopold’s empire lay….There was no natural entity, no historical inevitability, no metaphysical fate that predestined the inhabitants of this area to become compatriots. There were only two white men, one with a mustache [Stanley], the other with a beard [Leopold], meeting on a summer afternoon somewhere along the North Sea coast to connect in red pencil a few lines on a big piece of paper.” (38-39)The author integrates visits to Congolese sites and interviews with Congolese with historical facts. For instance, on the section on Kimbanguism, he went himself to Nkamba, headquarters of the movement, and interviewed people there. And as usual, the author has a nuanced and insightful understanding of the growth of this movement.Sometimes he wanders a bit far from strict history telling, as when he describes in long detail his visit to a popular music concert in Kinshasa.He describes incredibly fascinating bits of intimate detail, such as that of Mobutu and Lumumba riding about Leopoldville on a motor scooter on Jan. 4, 1959, on their way to check out the ABAKO meeting that the Belgian mayor had cancelled with such grave consequences.Van Reybrouck personalizes history: “My father was looking out the window. He saw a white Volkswagen Bug coming up the road…Suddenly, a volley of shots rang out…the Volkswagen careened to a stop….The two women—…Madeline and her friend Aline—did not get out. Across the fronts of their floral dresses, huge red spots were spreading…The Indian blue helmets had apparently taken them for white mercenaries…My father had been an eyewitness to the most famous photograph of the Katangan secession.” (317)With great fortitude, he enters the horrendous and frightening Makala prison to interview a man associated with the murder of the former president Laurent Kabila.II. THOROUGH HISTORYSecondly, this is a thorough history. And as Van Reybrouck comes closer to the present, he becomes more detailed. After an introduction to the country and his methods of 16 pages, the prehistorical section is only 12 pages, the early explorations and the Congo Free State 72, the Belgian Congo 166, the First Republic 54, the Mobutu era 114, and Congo since then 162, Then there are notes of the sources, endnotes, an index, and a huge bibliography of 22 pages small print, all adding up to a massive 639 pages. There are nine clear and simple maps. He covers all aspects of the past—economic, political, religious, artistic, sociological, etc. There is even a section on pop music, and its relation to power politics.The description and analysis of the Belgian Congo period, for example, is excellent. He presents the impact of Belgian concepts of “tribe” on the implementation of the control of the colonized population. The impact of ethnographers and medical personnel is explained. After detailed descriptions, the economic aspects are succinctly summarized: “There is no other country in the world as fortunate as Congo in terms of its natural wealth. During the last century and a half, whenever acute demand has arisen on the international market for a given raw material—ivory in the Victorian era; rubber after the invention of the inflatable tire; copper during full-out industrial and military expansion; uranium during the Cold War; alternative electrical energy during the oil crisis of the 1970s; coltan in the age of portable telephonics—Congo has turned out to contain huge supplies of the coveted commodity… As a rule, not a drop of fabulous profits trickled down to the larger part of the population…Nkasi, who once worked by the sweat of his brow to empty sacs of jewel-laden earth, profited very little indeed from the entire diamond business. Today he is poor as a pauper.” (119-120).The list of people in the acknowledgment section covers many, many of the most illustrious names in the study of Congo, and in the sources and references (bibliography) sections one sees just about every possible credible book on Congo of use to his history of the nation from A to Z.And in presenting a description of sources in the “sources” section, he demonstrates a fine ability to distinguish the strengths and weaknesses of sources concerning the same subject. For instance, of the many books on the subject, he states “No one out to make a serious study of the [Mobutu] era should omit the bulky study by Crawford Young and Thomas Turner, The Rise and Decline of the Zairean [Zairian] State.” (p. 575)III. ACCURATE HISTORYThirdly, this is accurate history. The author pointed out the key reality of the Belgian Congo: that in spite of some reforms of the CFS regime, “Belgium was not answerable to the people of the country. The government was not elected by them, nor did it consult them in any way.” (106) There is a thorough presentation of both the bad and the better parts of life in the Belgian Congo, the Belgian colony. .Of the leaders at the time of independence, Kasavubu, Lumumba, Tshombe, and Mobutu: “none of these men had ever lived under a democracy in their own country…The colonial regime itself was an executive administration.”(283) The following pages read like a murder mystery, as one by one these men are killed or dying, leaving only Mobutu. There is a delicate fine-tuning of how things were going in Congo, contrasting for instance the first decade of Mobutu’s presidency to later years. We lived through those years 1964-1993, and Van Reybrouck’s assessment is right on. It is not only accurate about events, but he captures the atmosphere of the period, and its evolution, with all the nuances.Concerning the devastating impact of structural adjustment programs of the IMF, “The IMF was out to reorganize the country, but in fact dismantled it.” (379) The excessive spending on himself by Mobutu is detailed. “Mobutu was a political schemer par excellence….He could be charming, friendly, and funny, but also manipulative, treacherous, and vicious.” (384)Van Reybrouck has a good handle on the broad picture and its essential ingredients. For example, of the 2nd Congo War starting in 1998: “the conflict was characterized by the aftershocks of the Rwandan genocide, the weakness of the Congolese state, the military vitality of the new Rwanda, the overpopulation of the area around the Great Lakes, the permeability of the former colonial borders, the growth of ethnic tension due to poverty, the presence of natural riches, the militarization of the informal economy, the world demand for mineral raw materials, the local availability of arms, the impotence of the United Nations, and so on…” (442)There is a fascinating portrait of Kinshasa up until 2010 in the latter sections of the book.For example, on buying off police: “Call it extortion or a form of ultradirect taxation, as long as the government doesn’t pay the policeman’s wages it won’t stop…A police uniform…guarantees its wearer a regular income, not from on high, but from the bottom up.” (487)There are all sorts of interesting insights, such as the rivalries between the various musical groups, and their supportive relation with the beer companies, and to the powerful politicians, including Mobutu and Kabila. And too, there are insights on the many churches, including those started or influenced by American evangelists, including Jimmy Swaggart. “At l’Armée de l’Eternel, young women paid ten, twenty or fifty dollars to have the preacher, Général Sony Katua ‘Rockman,’ perform the laying on of hands and so help them to find a husband, become pregnant, or get a visa for Europe. Wasn’t that brazen money-grubbing at the expense of desperate people?” (492) The leader of one Pentecostal church urged his members: “Let everyone who loves Jesus and Kabila stand up and clap…The Catholic Church watched it all from a distance and shook its head.” (496) “The ‘post-colonial trinity’ consisted of a corrupt political caste that entered an alliance with newfangled religions and pop stars raised on high by the business world.” (494)He described how Kabila, since 2006 election has followed the path of Mobutu, using violence and repression. In the final sections, Van Reybrouck visited the war zone of eastern Congo, and the Congo community in China, where a constant going and coming of merchants takes place. He compares the Lower Congo of yesterday with its current influx of Chinese and their impact.The tremendous amount of Chinese involvement in Congo is detailed. And the final chapter actually takes place in China, in the town of Guangzhou. There the huge Congolese population, estimated at two or three thousand, is involved mainly in trade with Congo in ways picturesquely outlined by the author.Unchauvinistic authorIn all this, Van Reybrouck is an unchauvinistic Belgian. For instance, “Leopold had sworn to put an end to the Swahilo-Arab slave trade, but in essence there was no difference between the life of a Central African domestic slave on the Arab peninsula and a boy in the household of a European official in Congo.” (62) After heart-wrenching descriptions of the atrocities of the Congo Free State, the author states “Leopold II had, at least nominally, set out to eradicate Afro-Arabic slave trading, but had replaced it with an even more horrendous system.” (94)The terrible work conditions in the mines and in the fields of Congo in the earlier colonial period are described (as well as better conditions later). On the disorder right after independence: “Belgium had granted Congo independence in order to avoid a colonial war, but it got one anyway. And it was its own stupid fault.” (296)The writing of this bookVan Reybrouck’s father arrived in Congo the first time in 1961, to work on the railroad in Katanga (Likasi). The author’s first trip to Congo was in 2003. He eventually took ten trips to Congo. He finished writing and had the book published in the original Flemish in 2010, so unfortunately does not cover the 2011 elections and events since then. The excellent English translation (by Sam Garrett) was published in 2014.Small ErrorsNo book can avoid an occasional slip-up, but in these 639 pages errors of either content or typos are almost impossible to find. He does use some passé vocabulary: native, Pygmy, tribe, and jungle. That may be the fault of his translator, though not necessarily so.This is the first time to hear Mt. Ruwenzori called Mt. Stanley (12). A vestige of the Belgian educational system?It is doubtful that manioc was “more nutritious” than plantain or yams. (23)The Lualaba is not “unnavigable” except in certain parts (34)The Belgian Congo shared no border with Cameroon. That was Congo (RC). (130)The Kwilu revolt lasted until 1965, not 1964 (321).The analysis of Tutsi/Hutu sociology is a bit old school (p. 350 ff), and could be refined by the studies of Vansina and Newbury among others.I think the Air Zaïre joke on p. 390 was a play on the word “vole” as steal and fly.Using the initial rather than the full first name of the author in the bibliography led to some possible mistaken identities. For example, I doubt that Janssens, E 1905 and 1979 are the same. (606) He confounds Stengers and Stearns (613)Minor typos/errors (page/paragraph)Bandundu (14/2)Ndombe (155/1)century (308/1) nzadi (332/1)Resume should be recourse (351/5)Tshisekedi was (434/2)Lyrical, dramatic, colorful historyVan Reybrouck is gifted with descriptive charm in the recounting of his adventures: “The jeep rattles its way through the demilitarized zone…We see more people out on the road. Women carrying yellow water tubs on their back, men leading reddish-brown cattle, boys with wooden bicycles loaded with sugarcane, bananas, or charcoal…” (518)He waxes lyrical at the end, summarizing centuries of Congolese culture and history: “It is no longer the sound of the slit drum that spread the news from village to village, no longer the dull thump of the tom-tom, no longer the crack of the whip, not the pealing of the mission bells, not the thunder of the train or the rattling of the drill in the mineshaft, no, it is no longer the ticking of the telegraph, the crackle of the radio or the cheering of the people that sounds the nation’s heartbeat today. It is not in the stamping of manioc in the mortar, not in the slap of water against the canoe’s hull. The heart of this country is not in the rattle of weapons in the jungle, not in the table pounding against the wall while a woman screams that she never wanted this, no….The new Congo reverberates to a different tone, the new Congo sings in the arrival hall of an airport thrumming with noise. It is the sound of tape, brown rolls of tape around packages and boxes, tape that screams as it is unrolled and grunts as it is torn….” (554)ConclusionAs Van Reybrouck returns at the end to Congo from China, he underlines the importance of Congo in world history: “In the early twentieth century the rubber policies gave rise to one of history’s first major humanitarian campaigns. During both world wars Congolese soldiers contributed to crucial victories on the African continent. In the 1960s it was in Congo that the Cold War in Africa began, and that the first large-scale UN operation was held…Congolese history has helped to determine and form the history of the world. The wars of 1998 and 2003 prompted the biggest and most costly peacekeeping mission ever, as well as the first joint military effort by the European Union…the 2006 elections were the most complex ever organized by the international community. The International Criminal Court is currently establishing invaluable jurisprudence with the prosecution of its first defendants—three men from Congo. Clearly, the history of Congo has on any number of occasions played a crucially important role in the tentative definition of an international world order. The contract with China, accordingly, is a major milestone in a restless world in motion.” (555-6)Thus David Van Reybrouck ends a book on Congo’s history with flourish, a history that is intimate, thorough, and accurate.

David Van Reybrouck Congo: The Epic History of a People is an intimidating book both in terms of size and subject matter. I mean when someone says they are going to tell you the epic history of a people they have already set a daunting standard, but Van ReyBouck found a way to do it. All of the big events are here: slave trade, colonization, independence struggle, Mobutu, the civil war that has ravaged the country since.It wasn’t an easy book to get into at first because I kept having difficulty with picking up whether he was talking to a person in the present or going back through history, but that could just be my idiosyncrasy and when we were talking about the present, it was like being jolted awake because the historical narrative had gone on so long. But when it all comes together, it’s a beautifully woven blend of history and the present and how that history shaped the present.Congo: The Epic History of a People is one of those books that lingers with the reader having a certain dream or memory like quality to it where you know that you have been touched by an experience, which is a rare and wonderful gift.

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